Voice of the Sublime

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In this month’s entry for the A and I Poetry Challenge to write a short 5-line poem, I thought I would try the version of a cinquain as used by Adelaide Crapsey, an early twentieth-century poet. Her form had 22 syllables distributed among the five lines in a 2, 4, 6, 8, and 2 pattern. Her poems share a similarity with the Japanese tanka, another five-line form & another favourite of mine, in their focus on imagery and the natural world. Continue reading “Voice of the Sublime”