Art as communication. Continue reading “the last tree”
Musing over TravelWithIntent‘s quote & post for a good part of the week:
“People don’t take trips… trips take people.” John Steinbeck Travels with Charley: In Search of America
and now contemplating NesFelicioPhotography’s post as I finish my morning tea:
“But it isn’t easy,’ said Pooh. ‘Because Poetry and Hums aren’t things which you get, they’re things which get you. And all you can do is to go where they can find you.” from AA Milne’s The House at Pooh Corner
The Changing Seasons: February 2019
It has been another one of those mind-stretching months, with a Poetry Workshop every Sunday afternoon, art exhibitions, and problem solving in the kitchen. Continue reading “The Changing Seasons: February 2019”
These Golden Years
Written in response to the following challenges:
Feature Photo: Taken at the Bandstand, Singapore Botanic Gardens, surrounded by a grove of Raintrees with yellow leaves, commonly called the Golden Rain Tree.
The Changing Seasons: September 2018
Season of Travail: A and I Poetry Challenge
Mulling over metre & rhyme (iambic pentametre, feminine endings, sprung rhythms), good & bad rhymes (is there such a thing?) & the humorous nuggets of wisdom found in Stephen Fry’s The Ode Less Travelled has kept me suitably occupied these past weeks. The exercises found here have brought me back to the basics of poetry creation which have been at the same time enlightening and exhausting. Continue reading “Season of Travail: A and I Poetry Challenge”
Heart of the Matter
Poem note: a somonka is essentially 2 tankas on written on the theme of Love.
Submitted in response to Amanda & Ineke’s A&I Poetry Challenge, Aug 2018 to write a Heart poem.
This is one of my favourite pieces of music, and I thought of it as I reread the poem. It is usually soloed by a violin; the cello gives it an interesting texture. Enjoy!
Feature Photo taken on 30 June 2018 at Benchaswari Park, Bangkok.
Song of Celebration
Voice of the Sublime
In this month’s entry for the A and I Poetry Challenge to write a short 5-line poem, I thought I would try the version of a cinquain as used by Adelaide Crapsey, an early twentieth-century poet. Her form had 22 syllables distributed among the five lines in a 2, 4, 6, 8, and 2 pattern. Her poems share a similarity with the Japanese tanka, another five-line form & another favourite of mine, in their focus on imagery and the natural world. Continue reading “Voice of the Sublime”
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