In this month’s entry for the A and I Poetry Challenge to write a short 5-line poem, I thought I would try the version of a cinquain as used by Adelaide Crapsey, an early twentieth-century poet. Her form had 22 syllables distributed among the five lines in a 2, 4, 6, 8, and 2 pattern. Her poems share a similarity with the Japanese tanka, another five-line form & another favourite of mine, in their focus on imagery and the natural world. Continue reading “Voice of the Sublime”
Poem written in response to JMW Turner’s The Shipwreck, found at the Tate Britain.
If you’ve ever been moved to tears by a piece of music, or stood in gaping awe at the edge of a cliff, or haunted by an painting, you will have touched the Romantic notion of the Sublime. Continue reading “The Romantic Sublime: SingPoWriMo Update Day 21-26”
I wish I could report that I have been prolific on account of poetry month, but unfortunately (or fortunately, depending on one’s perspective), I have spent far more time reacquainting myself with the riot of poetry and the maestros who beautify our landscape with their words.
Please enjoy my gleeful discoveries from the past few days:
Feature Photo: Unabashedly verdant & prolific! Taken at Dairy Farm Nature Park, Singapore.
My exploration of new poetry continues. Some of it is rather confuzzling (I love suggestion that I am in a state of confusion & puzzlement! Thank you y.prior for the introduction to this delicious word!). Some eye-opening & mindblowing (reading lots of poetry written by Singaporeans; yes! we do have a body of work to boast of). And some I simply love! love! love! (Jack Spicer, Amy Lowell, Tse Hao Guang).
I have experimented with some new forms: some I find easier to use than others. I am also consciously working on elevating the writing; I continue to struggle with what this means, and how to get it done effectively.
It has been an educational 5 days: